編輯推薦:Unexpectedly sweet and powerful. New York Times [Harris's] prose reads like poetry, and it is a physical experience to fall into her imagery. Philadelphia Inquirer Compelling... Harris once again revels in the smells and tastes of French food. Cleveland Plain Dealer The craftsmanship and emotional power of this novel...place Ms. Harris in the forefront of women writers. Richmond Times-Dispatch Tragedy, revenge, suspicion and love are the ingredients for [Harris's] latest offering?Readers will love it.
Five Quarters of the Orange by Joanne Harris contained a mystery that kept me reading until I finished the book in just 3 nights. Harris wrote the book like the main character Framboise was just sitting around telling a childhood story to a friend over coffee. Reading the story, I felt comfortable as "Framboise's friend" and enjoyed her tale of adolescence. In the beginning of the story, Framboise casually tells us "I know, I know. You want me to get to the point... It has taken me fifty-five years to begin. At least let me do it in my own way." Harris' use of details and descriptions helped to paint of vivid picture in my mind of Framboise's childhood. I liked the way Harris described Framboise's older sister Reine-Claude in comparison to Framboise, "At twelve, my sister has already ripened. Soft and sweet as dark honey, with amber eyes and autumn hair... next to her I looked like a frog, my mother told me, an ugly skinny little frog with my wide sullen mouth and my big hands and big feet." The book describes the conflict of mother and daughter relationships. Harris shows that no matter how badly we don't want to end up like our parents, we can't help but to inherit some of their qualities. Framboise's mother tells her nine year old daughter "Hard as nails... I used to be like that...I always wanted to fight everybody too." When the older Framboise is stressing about her declining business while her daughter and granddaughter were departing from their summer visit, "I could see in her eyes that she felt I was unreasonable, but I could not find enough warmth in my heart to tell her what I felt... a sudden terror overwhelmed me. I was behaving like my mother... Stern and impassive, but secretly filled with fears and insecurities. I wanted to reach out to my daughter... but somehow I couldn't. We were always raised to keep things to ourselves. It isn't a habit that can be easily broken." Harris also details what it is was like to live in Nazi occupied France. We read about this time period in history books but it was eye-opening to see this from the perspective of the families who lived through this period of change and uncertainty. She writes about the German soldiers going to people's homes to take their food and prized possessions. Even when the families tried to hide their belongings, the German soldiers still found and took what they wanted. I also liked how Harris hinted at upcoming events at the ends of chapters to keep the reader interested in the story.
內(nèi)容簡介:When Framboise Simon returns to a small village on the banks of the Loire, the locals do not recognize her as the daughter of the infamous woman they hold responsible for a tragedy during the German occupation years ago. But the past and present are inextricably entwined, particularly in a scrapbook of recipes and memories that Framboise has inherited from her mother. And soon Framboise will realize that the journal also contains the key to the tragedy that indelibly marked that summer of her ninth year...
作者簡介:Joanne Harris is the author of seven previous novels—Chocolat, Blackberry Wine, Five Quarters of the Orange, Coastliners, Holy Fools, Sleep, Pale Sister, and Gentlemen & Players; a short story collection, Jigs & Reels; and two cookbook/memoirs, My French Kitchen and The French Market. Half French and half British, she lives in England.