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"Practical for reference and delightful for browsing....Excellent introduction for the opera novice as well as the more experienced listener."
——Booklist
Four hundred years after it began, opera's combination of grandeur and intimacy continues to beguile audiences around the world. Covering subjects as diverse as the opening of La Scala in Milan, the legendary career of Maria Callas, and the extraordinary success of the Three Tenors, "The Chronicle of Opera" celebrates the great eras of music and performance, mixing fact and anecdote, personalities and stylistic development with hundreds of illustrations.
Opera developed quickly from its modest beginnings as the re-creation of classical Greek drama. By the seventeenth century, the time of Monteverdi, it included all the components of much later operas: choruses, arias, recitatives, instrumental ensembles, and interludes. Toward the end of the eighteenth century, artifice had been replaced by the classical perfection and wit of Mozart. The next hundred years saw the rise of romanticism, with famous masterworks by Rossini, Donizetti, Verdi, and Wagner, while the twentieth century saw the brilliant innovations of Berg, Stravinsky, Britten, and Gershwin, among many others.
A new section brings the story of opera into the twenty-first century. The comprehensive reference section includes biographies, a timeline, opera house openings and premieres, a glossary, and a discography, making this an essential reference book for all opera lovers. 320 illustrations, 100 in color.
作者簡介:
目錄:Introductionp. 81589-1761: Baroque Operap. 161589-1634 The New Artp. 201635-1646 Opera in Venicep. 241647-1677 Italian Opera Reaches Parisp. 161678-1702 France, Germany, Englandp. 301703-1716 The Second Century of Operap. 341717-1731 Prima Donnas and Castratip. 381732-1739 The Seeds of Changep. 441740-1761 The Death of Handelp. 501762-1850: Classical and Romantic Operap. 561762-1775 Opera is Rebornp. 601776-1780 Melodrama and Singspielp. 661781-1786 Mozart in Viennap. 681787-1791 Mozart's Last Operasp. 721792-1804 Opera after the French Revolutionp. 781805-1816 Opera during the Empirep. 821817-1821 Weber and German Romanticismp. 881822-1828 Romantic Operap. 921829-1835 Bel Cantop. 981836-1841 Successors to Rossinip. 1061842-1850 Verdi and Wagnerp. 1101851-1914: International Operap. 1161851-1857 Verdi's Middle Periodp. 1201858-1867 The Second Empirep. 1241868-1875 The New Repertoryp. 1321876-1882 Bayreuthp. 1381883-1895 Perfect Wagneritesp. 1441896-1902 The Turn of the Centuryp. 1521903-1907 Revival and Rebellionp. 1581908-1914 A Blaze of Gloryp. 1641915-: The Age of Recordingp. 1701915-1918 Neoclassicismp. 1741919-1925 After the Warp. 1781926-1932 Opera in the Weimar Republicp. 1841933-1944 Opera in the Shadow of Warp. 1901945-1953 The New Orderp. 1981954-1960 Grand Opera Rebornp. 2041961-1975 Opera and Anti-Operap. 2121976-1991 Postmodernismp. 218After 1992 Radical Stagingsp. 224Reference DataGlossaryp. 229Timelinep. 230Opera Premieresp. 234Biographies of 100 Singersp. 236Discographyp. 241Bibliographyp. 244Sources of Illustrationsp. 245Indexp. 246Table of Contents provided by Ingram. All Rights Reserved.