西人中國紀(jì)事-中國畫家（英）簡介，目錄書摘
2020-05-14 15:58
來源：京東
作者：京東
西人中國紀(jì)事-中國畫家（英）
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編輯推薦:《中國畫家》對(duì)于西方讀者快速了解中國繪畫很有實(shí)用意義。
Chinese Painters is a short book which is very useful for Western readers to quickly understand Chinese painting.
Chinese Painters is a short book which is very useful for Western readers to quickly understand Chinese painting.
內(nèi)容簡介:《中國畫家》主體分為兩部分，簡明扼要地概括了中國古代繪畫的發(fā)展和主要特征。作者首先介紹了中國繪畫的技巧和手法，包括繪畫工具的使用、表現(xiàn)形式、主題類別和靈感來源等。第二部分按時(shí)間順序介紹了中國繪畫的發(fā)展演變，以及各個(gè)時(shí)期涌現(xiàn)出的代表人物。
The "China Yesterday" series include a few Sinological and biographical works on the topics of Chinese history, literature, society, etc. All these works were written by foreigners and shed light on China in unique perspectives.
Chinese Painters mainly includes two parts, which concisely summarize the history and characteristics of Chinese painting. The first part talks about the technique of Chinese painting, involving equipment, representation of forms, subjects, and inspiration. The second part introduces the evolution of Chinese painting in a chronological order, and emphasized many famous painters emerged in different periods.
The "China Yesterday" series include a few Sinological and biographical works on the topics of Chinese history, literature, society, etc. All these works were written by foreigners and shed light on China in unique perspectives.
Chinese Painters mainly includes two parts, which concisely summarize the history and characteristics of Chinese painting. The first part talks about the technique of Chinese painting, involving equipment, representation of forms, subjects, and inspiration. The second part introduces the evolution of Chinese painting in a chronological order, and emphasized many famous painters emerged in different periods.
作者簡介:拉斐爾·佩初茲（Raphael Petrucci，1872—1917），法國優(yōu)秀的漢學(xué)家之一，儒蓮獎(jiǎng)（“漢學(xué)界的諾貝爾獎(jiǎng)”）獲得者。
Raphael Petrucci (1872–1917), one of the best Sinologists of France, and winner of the Stanislas Julien Prize.
Raphael Petrucci (1872–1917), one of the best Sinologists of France, and winner of the Stanislas Julien Prize.
目錄:PREFACE
BIOGRAPHICAL NOTE
INTRODUCTION
PART ONE. TECHNIQUE
I. EQUIPMENT OF THE PAINTER
II. REPRESENTATION OF FORMS
III. DIVISION OF SUBJECTS
IV. INSPIRATION
PART TWO. THE EVOLUTION OF CHINESE PAINTING
I. ORIGINS
II. BEFORE THE INTERVENTION OF BUDDHISM
III. THE INTERVENTION OF BUDDHISM
IV. THE T‘ANG PERIOD—SEVENTH TO TENTH CENTURIES
V. THE SUNG PERIOD—TENTH TO THIRTEENTH CENTURIES
VI. THE YüAN PERIOD—THIRTEENTH AND FOURTEENTH CENTURIES
VII. THE MING PERIOD—FOUR TEENTH TO SEVENTEENTH CENTURIES
VIII. THE CH‘ING PERIOD—SEVENTEENTH TO TWENTIETH CENTURIES
CONCLUSION
BIBLIOGRA PHY
INDEX OF PAINTERS AND PERIODS
BIOGRAPHICAL NOTE
INTRODUCTION
PART ONE. TECHNIQUE
I. EQUIPMENT OF THE PAINTER
II. REPRESENTATION OF FORMS
III. DIVISION OF SUBJECTS
IV. INSPIRATION
PART TWO. THE EVOLUTION OF CHINESE PAINTING
I. ORIGINS
II. BEFORE THE INTERVENTION OF BUDDHISM
III. THE INTERVENTION OF BUDDHISM
IV. THE T‘ANG PERIOD—SEVENTH TO TENTH CENTURIES
V. THE SUNG PERIOD—TENTH TO THIRTEENTH CENTURIES
VI. THE YüAN PERIOD—THIRTEENTH AND FOURTEENTH CENTURIES
VII. THE MING PERIOD—FOUR TEENTH TO SEVENTEENTH CENTURIES
VIII. THE CH‘ING PERIOD—SEVENTEENTH TO TWENTIETH CENTURIES
CONCLUSION
BIBLIOGRA PHY
INDEX OF PAINTERS AND PERIODS
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